Asian Drama
Unit Title: Theatre of Asia
Content: Performances from an Asian literary piece
By the end of this unit the students will know and have an understanding
of:
- the history
of Asian theatre
- selected Asian
plays
- the lives
and works of Rendra and Akutagawa
- how to
apply the rhythm of the voice through dialogue
- how to
create a character for the stage
- the importance
of directions for the stage
- how to perform
a scene from an existing script
Criterion B- Application
By the end of this unit, students will be able to:
- express
and explore their feelings and emotion through role play
- use their
voice effectively on stage
- follow
stage directions through performance
- create a
character in different situation and setting
Criterion C- Evaluation and Reflection
By the end of this unit, students will be able to:
- write a
continuous reflection of their development
- assess and
appraise their own work and that of others
- use group
discussion and feedback to support and promote creative
development
Criterion D- Personal Engagement
By the end of this unit, students will be able to:
By the end of this unit, students will be able to:
- work cooperatively
in group projects
- submit a
reflection on one current live performance.
- show
initiative, creativity and willingness to take risk
- accept
and incorporate views and feedback from others to further develop
their artistic potential
Key Vocabulary:
-
voice dynamic
-
stage geography
-
rhythm
-
stage directions
-
body movement
-
character development
-
characterization
-
entrances
-
exits
Week 1-
History and
Biographies
Student tasks:
- Research and present the history of Asian theatre using the mind map concept.
- Research on the lives and works WS Rendra and Akutagawa
- Present the synopsis of 3 Asian plays: Rashomon (Japan), Sampek Engtay (China) and The Journey of Hang Juro (Indonesia)
Week
2- Script selection and analysis
- Group students in 3-4 members
- Each group will research and decide to perform an excerpt from one Asian play
- Read out loud the script several times to rehearse voice projection and enunciation. At the end of each reading, students will describe what is the playwright’s point of view and the theme of the play.
Homework:
- Continue reading at home and concentrate on the use of voice only.
Week
3- Voice Dynamics
How to use the voice
to stress meaning
- Watch the movie ‘Rashomon’
-
Students
will choose the actor that they think has a good, expressive acting voice. Students
should focus on the way she or he uses the voice.
-
Students
will answer these questions in their DWB:
How
does the actor use voice to create the personality of the character? How does
the actor change her or his voice to show the emotional state of the character?
Feel
the rhythm
- Sense the rhythm when speaking the word of the play
Activity 1:
Try
reading aloud from the script given, using as much variety as possible to make
the story both interesting easy to follow.
Activity 2:
In
conversation with someone else, describe an experience you had which you
remember vividly. Consciously use variety as you speak to make you description
brings the experience to life for your listener.
Homework:
List
the exercises you would recommend to your group how to make the voice clearer,
louder and more expressive. Explain in detail why each exercise you choose
would be particularly effective in helping your group performance
Practice
reading a script with focus on rhythm and stressing meaning.
Week 4- Characterization
Students will think about their selves
and try to identify some of their own mannerisms.
Students write a short description of
their personal character.
Write a short description of their character
from the script.
- ‘You and your character’
Activity:
- Practice standing before a mirror in the way you want your character stand. Get used to seeing that character come a live in the way you stand. Then stand in your own natural way. There should be a visible difference between your own posture and that of your character. Give much thought to the posture and gestures your character uses.
- Reenact their movements and actions on the stage
- Rehearse the actions
Homework:
Memorize
the script with blocking
Week 5- Basic Stage Directions ‘Entrances and exits’
Students
will imagine exactly how they want their character to enter the stage. Then,
make the entrance happen. Move and think in character. Anticipate every detail
connected with their entrance. Know the target location for their entrance.
Practice
simple lines from the script to do this part.
Homework:
Memorize the script
Week 6- Rehearsal
- Student to perform the memorized script
- Rehearsing their character scene with teacher input where applicable.
- Videotaped the rehearsal for evaluation
- Document and reflect on the rehearsal
Week 7- Practical Assessment
Each group will be given 7 minutes to perform
their script.
Watch video of their scenes and
write reflection in their DWB.
Reflection:
Describe the progress have you
made so far.
How effective was your planning
skills?
What are the strengths and
weaknesses in your summative piece of work?
Is your scene successful? Why or
why not?
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